before british new wave

That earworm found its way onto a new network called MTV one year later, and the video—which showed the band hadn’t completely abandoned all their eccentricities—pushed Split Enz from cult band to chart-toppers in New Zealand and Australia, and MTV staples in the States.—Mark Lore, Led by their two distinctive—and distinctly different—singer/songwriters, the incurably ironic Robert Forster and the incurably romantic Grant McLennan, Australia’s Go-Betweens were a classic case of a band that was criminally under-appreciated in its time beyond a fiercely loyal cult following. /etc/php/7.2/fpm/conf.d/10-opcache.ini, Buggles were essentially Trevor Horn and Geoffrey Downes, two geeky British musicians who, like Gary Numan, were disciples of bands like Kraftwerk and were dabbling in their own future sounds in the late-’70s. /etc/php/7.2/fpm/conf.d/20-zip.ini, If I had heard the spastic art rock of Are We Not Men? /etc/php/7.2/fpm/conf.d/20-xsl.ini, The Bangles, on the other hand, had balls—well in a matter of speaking anyway—and they successfully knocked any novelty on its head while demanding to be taken seriously. /etc/php/7.2/fpm/conf.d/15-xml.ini, Phar based on pear/PHP_Archive, original concept by Davey Shafik. Taking their cue from the Velvet Underground, Roxy Music and an unapologetic love for pristine pop, the Cars’ meticulous approach merged New Wave with Old Wave and set a new high standard in the process. Live, the singer was a spinning firecracker on stage, personifying the album’s title, Gyrate, exploding through songs like “Feast on My Heart” and “Stop It.” R.E.M. It makes this record (and, even more so, the band’s second album) stand out more for the musicianship, while never taking itself too serious.—Mark Lore, As with some of the best post-punk bands of the era, this punk quintet didn’t survive past the bright blast of their debut album (LP #2 didn’t arrive until 17 years later). Droning bass, buzzing guitar and absolutely punishing drums provided the framework for Vanessa Briscoe to scream her way to the edge of insanity. /etc/php/7.2/fpm/conf.d/20-curl.ini, The pure exotic pleasures of “Paper” and “Cities” brushed right up against the sardonic “Life During Wartime,” but it all feels remarkably kindled, free of that overshadowing density of their most “important” work. ensured the album wouldn’t be lost to history, when drummer Bill Berry proclaimed Pylon the best band in America.—Josh Jackson, I don’t need to tell you about “Roxanne.” If you are a resident of Earth with access to a radio, you’re definitely familiar with Sting and company’s classic ode to the red light district. Kings of the Wild Frontier refined the sound of the band’s debut Dirk Wears White Socks, introducing Burundi beats and a slicker guitar sound from Marco Pirroni on songs like “Antmusic” and “Dog Eat Dog.” To this day it simply sounds like nothing else.—Mark Lore, For most people, Scottish band Orange Juice was a one-hit wonder known for the UK Top 10 song “Rip It Up,” which was one of their most keyboard-driven New Wave-y tunes. /etc/php/7.2/fpm/conf.d/20-ftp.ini, /etc/php/7.2/fpm/conf.d/20-sqlsrv.ini, Ilia Alshanetsky, Joerg Behrens, Antony Dovgal, Stefan Esser, Moriyoshi Koizumi, Magnus Maatta, Sebastian Nohn, Derick Rethans, Melvyn Sopacua, Jani Taskinen, Pierre-Alain Joye, Dmitry Stogov, Felipe Pena, David Soria Parra, Stanislav Malyshev, Julien Pauli, Stephen Zarkos, Anatol Belski, Remi Collet, Ferenc Kovacs, Rasmus Lerdorf, Hannes Magnusson, Philip Olson, Lukas Kahwe Smith, Pierre-Alain Joye, Kalle Sommer Nielsen, Peter Cowburn, Adam Harvey, Ferenc Kovacs, Levi Morrison. It encompassed pretty much everything that followed the punk movement that still served as an alternative to mainstream pop and rock. Along with producing memorable LPs for The Damned, Graham Parker & the Rumour and Elvis Costello, “Basher” (as his mates called him) co-founded archetypal indie label Stiff, for which he threw together his first solo album, joined by members of The Rumour, Ian Dury’s Blockheads, The Attractions and Rockpile (the hotshot combo he started with Dave Edmunds). It’s a rock ’n’ roll record that would make Buddy Holly happy to have Costello wearing those glasses.—Josh Jackson, Fear of Music was leaning out of the ‘70s, dropping in August of 1979. /etc/php/7.2/fpm/conf.d/20-igbinary.ini, The band’s proggier elements were replaced by more streamlined pop songs that were heavily influenced by early-Beatles and the burgeoning New Wave scene, most notably in songs like “Shark Attack” and the psychedelic synth instrumental “Double Happy.” Young Neil Finn, recruited by his brother Tim for their previous record Frenzy, also upped his songwriting game, most notably on Split Enz’s breakthrough single “I Got You,” which stands as one of the best New Wave pop songs to this day. /etc/php/7.2/fpm/conf.d/20-pdo_pgsql.ini, Following the departure of guitarist Rob Dean, Japan secured more sonic space to indulge their experimental whims—from the digital landscapes of UK hit “Ghost” to the Far East textures of “Canton.” Throughout, David Sylvian’s warbled, post-Bryan Ferry croon slithers around Mick Karn’s purring fretless bass and Richard Barbieri’s textured keys—a combination both soothing and unsettling. Former Sex Pistols manager Malcolm McLaren (he also managed Adam and the Ants) pushed to make teenage vocalist Annabella Lwin the focus during the rise of MTV. spawned the timeless hit “Is She Really Going Out With Him?”, but songs like “One More Time” and “Happy Loving Couples” that reveal the more caustic side of Jackson’s songwriting, of which he wouldn’t quite tap into again. /etc/php/7.2/fpm/conf.d/20-ctype.ini, (It’s a tough decision, but a-Ha wins.) —Lee Zimmerman, Freedom of Choice marked the beginning of a new era for Devo, almost entirely ditching the raw, post-punk sound of the late ‘70s and embracing and popularizing synth-pop. Polyrhythmic, lyrically cryptic and featuring one of the most awesomely weird guitar solos of all time (Adrien Belew’s blippy genius on “Born Under Punches”), Remain in Light stands as David Byrne and company’s masterpiece. Not Costello’s greatest work, but a landmark, highly influential first album.—Mark Baker. But the devastating melancholia quickly morphs into the sardonic lyrical meglomania that made vocalist Morrissey the legendary apathetic mope in “Frankly Mr. Shankly,” a terse and not-so-veiled reference to The Smiths’ growing distaste for the music industry in general. /etc/php/7.2/fpm/conf.d/20-pgsql.ini, *, consumed, dechunk, convert.iconv.*. Of course, listening with their eyes proved foolish. /etc/php/7.2/fpm/conf.d/20-dom.ini, The following albums were collectively chosen by Paste music writers and editors. Choose one to start playing: Take Quiz: Single Page HTML format. Mainly early 80s, with a few earlier bits thrown in. Who knew black magic could be so beautiful?—Josh Jackson, By the time Split Enz released True Colours in 1980 they’d already established themselves as a colorful and bizarro art rock band in their home country of New Zealand. Methods: Serial cross-sectional sampling was conducted using …

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